![]() ![]() Scam rap is music by and of digital natives, a generation that has come of age on an internet swarming with dissemblers and con artists: social media grifters, phishing-scheme spammers, “Tinder swindlers,” cryptocurrency shills, conspiracy theorists, troll-farm armies that spread disinformation. But for M.C.s like Dev, scamming is a stock-in-trade, a muse, a worldview. In recent years, some star rappers have been shouting out “the scammers” and making references to online fraud. Hip-hop is always quick to pick up on cultural currents, including trends in not-quite-legal enterprises. Other songs have titles that mince no words: “Stolen Credit Cards,” “Internet Swiping,” “In $cams We Trust.”ĭev is a scam rapper, part of a vanguard of underground M.C.s who have begun creeping toward rap’s center stage. Dev’s nom de guerre refers to “punches,” slang both for entering the credit-card numbers onto new cards and for making illegal purchases. ![]() A “dump” is a kind of internet crime, in which fraudsters access stolen credit-card information to create clone cards. (“How to Write a Dump” is just over a minute and a half long.) What he is outlining, after all, is a caper. Punchmade Dev, from Lexington, Ky., delivers these lines over a rudimentary beat in a breathless rasp, the voice of a man who is trying to convey crucial information as quickly as possible. ![]() Credit card scam contour day spa code#blunders: “No, dumbass, you don’t need EMV software/That’s only if you tryin’ to code the chip they put on there/You just need a MSR, plus the Deftun software.” “You better put a proxy server on/Or use public connection.” Some rappers aim insults at competitors’ weak rhymes or played-out styles. “Go and get a fire carder site/Go to the dump section,” he counsels. But few songs provide as detailed a tutorial as “How to Write a Dump,” a recent single by the rapper Punchmade Dev. For decades, hit records have offered instruction and edification, lessons from the Book of Love, step-by-step guides to dance crazes. Pop music has always had a pedagogical streak. ![]()
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